Gina Siepel

Gina Siepel

  • Works
    • Forest Geometries
    • To Understand a Tree
      • Tree and Site
      • Participants and Public Engagement
      • Green Woodworking
      • Solo Exhibition, Museum for Art in Wood
    • Living Material
    • FOREST-BODY-CHAIR
    • Cycle of Self-Determination
    • SELF-MADE
    • Chair and Tree Studies
    • Re-Surveying Walden
    • New World Reconsidered
    • The Versatile Queer-All
    • A River Twice
    • The Boy Mechanic Project
    • CACOPHONY
    • Audubon's Birds
    • Portrait of Audubon
    • After Winslow Homer
  • Archive
    • The Coracles of Pignut Pond
    • 1 x 1
    • The Candidate is Absent
    • Emma's Walk
    • King Philip Was a Warrior Bold...
    • Historic Site
    • Recursions
  • About
  • CV
  • Press
    • "The Museum for Art in Wood Presents To Understand a Tree," by Anndee Hochman, Broad Street Review, July 30, 2024
    • "Against the Grain: The Emergence of Queer Woodworkers," by John-Duane Kingsley, Decorative Arts Trust Bulletin, June 6, 2022
    • "Self-Made, Gina Siepel’s queer coming-of-age story at Vox Populi Gallery," by Levi Bentley, ArtBlog Philadelphia, 2018
    • "Gina Siepel's Listening Trips," by Jacqueline Gleisner, Art21 Magazine, 2016
    • "Gina Siepel: Currents 6," by Carl Little, Art New England, 2011
    • "Gina Siepel: The Artist as Explorer," by Lauren Lessing, "Currents 6" exhibition catalog essay, Colby College Museum of Art, 2010
  • Talks
  • Workshops
  • Contact
Forest Geometries: Tetrahedron (Fire)
2025
red spruce and balsam fir saplings gathered on site, steel, milk paint, hemp oil
100” x 77” x 77”

Forest Geometries is a site-specific series of sculptures installed on a 2-mile hiking trail at the Langlais Art Preserve in mid-coast Maine. It was developed as a response to the dynamic, biodiverse, evolving ecology of this forest, which is in transition due to a changing climate and shifting land use. Using balsam fir and red spruce saplings killed by insects and storms on the land, I created large-scale interpretations of the Platonic polyhedra, geometric forms associated by the ancient Greeks with the classical elements: earth, air, water, fire, and ether. These complex geometries are rendered in an organic material and placed in the dense forest, interweaving visual elements belonging to both nature and culture. The sculptures are accompanied by a hand-drawn map and zine, containing ecological information, inviting viewers into a more informed relationship to the place and the life processes of the forest. On-site through the four seasons, the sculptures are changing through interaction with time, weather, light, and living organisms.


Developed and built as a site-specific commissioned work at the Langlais Art Preserve in 2025, and on view through 2026. More information and photos of Forest Geometries can be found on the Langlais Art Preserve website.


photo by Thombs Photography

All images and text copyright 2006-2024 Gina Siepel. All rights reserved.

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