Gina Siepel

Gina Siepel

  • Works
    • To Understand a Tree
      • Tree and Site
      • Participants and Public Engagement
      • Green Woodworking
      • Solo Exhibition, Museum for Art in Wood
    • Living Material
    • FOREST-BODY-CHAIR
    • Cycle of Self-Determination
    • SELF-MADE
    • Chair and Tree Studies
    • Re-Surveying Walden
    • New World Reconsidered
    • The Versatile Queer-All
    • A River Twice
    • The Boy Mechanic Project
    • CACOPHONY
    • Audubon's Birds
    • Portrait of Audubon
    • After Winslow Homer
  • Archive
    • The Coracles of Pignut Pond
    • 1 x 1
    • The Candidate is Absent
    • Emma's Walk
    • King Philip Was a Warrior Bold...
    • Historic Site
    • Recursions
  • About
  • CV
  • Press
    • "The Museum for Art in Wood Presents To Understand a Tree," by Anndee Hochman, Broad Street Review, July 30, 2024
    • "Against the Grain: The Emergence of Queer Woodworkers," by John-Duane Kingsley, Decorative Arts Trust Bulletin, June 6, 2022
    • "Self-Made, Gina Siepel’s queer coming-of-age story at Vox Populi Gallery," by Levi Bentley, ArtBlog Philadelphia, 2018
    • "Gina Siepel's Listening Trips," by Jacqueline Gleisner, Art21 Magazine, 2016
    • "Gina Siepel: Currents 6," by Carl Little, Art New England, 2011
    • "Gina Siepel: The Artist as Explorer," by Lauren Lessing, "Currents 6" exhibition catalog essay, Colby College Museum of Art, 2010
  • Talks
  • Workshops
  • Contact
After Winslow Homer: Portrait of the Artist as "The Trapper"
2010
archival inkjet print
26" x 40"

Project Information: After Winslow Homer


During the 1890's, Winslow Homer made a series of iconic watercolor paintings featuring Adirondack Guides, professional woodsmen who hunted and led fishing trips for wilderness visitors. In that era, these heroic, rugged figures embodied the ultimate image of the American man, and played upon the pastoral fantasies of a rapidly urbanizing America. To my contemporary eye, Homer's images suggest a homoerotic virility that verges on camp. With my collaborator, Monika Sziladi, I reconstructed a series of these works, as a series of photographs shot on modern suburban sites in New England: Walden Pond (now a popular park), a golf course, and a shopping mall, playing with the double meaning of the word "camp."


These images emerged from contemplation of what I thought of as a celebration of the queerness of suburban nature: instead of hearkening back to a mythic past with an unspoiled landscape, living in the beautiful and paradoxical complexities of our current times, which despite their ecological fragility and problems, also allow us to live full lives as LGBTQIA people.


Made in collaboration with Monika Sziladi

All images and text copyright 2006-2024 Gina Siepel. All rights reserved.

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